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[The following post is the first in a series about music libraries written by veteran composer, studio musician, consultant and writer Eric Jensen. For a brief, eloquent history of music libraries and how producers have used them, click here.]

You have probably noticed a number of articles about licensing your music for film and television. But you are not competing directly with other artists. In many instances, you are competing with production music libraries. [click to continue…]

Juniper Research's music business forecast: sunny, with a chance of blooey.

Thursday’s Morning Tabs feature a misleading poll, the importance of YouTube lyric videos, mSpot challenging Amazon, and digital music subscriptions going blooey…in five years. Maybe. [click to continue…]

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If you vote for Gwar, they will have sex with you.

The Morning Tabs on this fine Wednesday include swirling rumors about Rhapsody, two big, ambitious music video projects, a very, um, unique (enticing? for some people?) attempt to drive up votes, and a double standard in the cloud. [click to continue…]

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The Morning Tabs – March 4

March 4, 2011

The final Morning Tabs of the week feature a million song dataset, unlimited downloads,* a crazy prediction about music downloads on smartphones, and a tool to help you plan out your trip to SXSW.

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The Morning Tabs – March 2

March 2, 2011

March 2′s Morning Tabs features another study of file-sharers, a survey of how one creates a feeling of exclusivity amongst fans, a somewhat unusual way to tackle the sell-out tag, and a chance to experience SXSW in your bedroom.

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The Morning Tabs – February 4

February 4, 2011

Friday’s Tabs feature a great update to a Fanbridge app, help with customizing your Facebook page, and an interesting promotional strategy that will build up your social media followers.

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The Morning Tabs – February 2

February 2, 2011

Today’s Tabs feature insights into what happens when somebody rips off one of your songs, a handy e-mail template for selling your MP3s online, notes on Citigroup’s purchase of EMI, and thoughts on presenting your live show.

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